In the tradition of Mexican architecture, maybe more than in other places, the compact wall without or almost without openings takes on values that go beyond the specific compositional solution to suggest force and tragedy, silence and light, defining domestic spaces and outdoor enclosures. Walls are the ‘tablet’ on which the great Mexican mural painters like David Alfaro Siqueiros, José Clemente Orozco and Diego Rivera depicted human emotions like joy, suffering, the struggle for freedom. For Luís Barragán – whose meaning and figure have been reinterpreted by Legorreta , father and son – walls are a tool to shape the indoor-outdoor relationship. That insertion in the landscape as an essential feature of the architecture, which Legorreta grasps in the lesson of the master from Guadalajara, perhaps more than the vivid use of color on stucco, which at first glance might seem like the main legacy passed on. Octavio Paz, the Mexican poet and essayist, Nobel Prize for Literature i...
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